How To Improve Your Workflow in Logic Pro X using Project Templates

In this article I share a tip on improving your workflow as a Music Producer using Logic Pro. It involves creating Project Templates tailored to how you prefer to work.

Though quite time consuming, setting up custom Project Templates will save you loads of time in the future, give you a solid outline of your songs structure the moment you open a blank project and even shortcut repetitively routing and bussing your channels. To do this, you will need to create a new empty project in your DAW and follow the numbered steps outlined below – but first lets quickly go over how to create Project Templates:

How to create Project Templates in Logic Pro X

To save a new project as a Project Template, simply select: File > Save as Template..

You may not see this option if Advanced Tools are not enabled in your preferences. To enable advanced tools, navigate to: Logic Pro X > Preferences > Advanced > Show Advanced Tools.

Screen Shot 2020-04-05 at 5.56.56 pm
How to Save a Project as a Project Template.
Screen Shot 2020-04-05 at 5.56.39 pm
Show Advanced Tools Location within Preferences.

Now you know how to create a Project Template, let’s get started on how to make a good one.

1. Use Markers To Outline Structure

Use markers to outline the songs structure appropriate to the genre – you can vary the layout and save the different variations with appropriate names referring to the different track lengths and features. For example, a template could have a short intro and a long breakdown, or it could be a 7 minute long opera or a short 3 minute tune.

Logic X Markers
Take time to study song structures for your chosen genre, or use some reference tracks and map out their sections and length.

2. Create Blank Channels

Create a single channel for each possible component of the track (just include one for each as this channel can then be duplicated). Be sure to put all channels belonging to each group together (so all of the drum channels are on channels 1-10, followed by bass channels 11-14 and so on). An example is given in the picture below – be sure to include Sampler Instrument tracks in addition to Audio Tracks, or just include these if they are all that you use – tailor it to your style.

Logic X Channels
Example of Channel Layout, If you use loops then you can add additional channels named “Drum Loop 01”, “Bass Loop 01” etc.

3. Setup Routing and FX Sends

Set up the routing and bussing of the channels to allow for easy manipulation of groups and FX sends. This allows you to control and manipulate groups of your song easily as you work on getting your ideas down. For example, adding a high-pass filter sweep to your drums in a buildup. Approach this in your own way or follow this outline:

Set the 1st and 2nd sends of all Channels from the first group (such as the Drums) to Bus 1 (name this ‘Drum Send 01’) and Bus 2 (‘Drum Send 02’). Then set the output of these channels and those two sends (Bus 1 and Bus 2) to Bus 3 (‘Drum Master Out’). Repeat this for each group, each time using 3 new busses for each group. For example: Drum Channels send to Bus 1 and Bus 2 and output to Bus 3 (Bus 1 and Bus 2 output to Bus 3 too), Bass Channels send to Bus 4 and Bus 5 and output to Bus 6 (Bus 4 and Bus 5 output to Bus 6 too) and so on. See below a visual aids to help show the routing and an example of how the mixer should look.

Routing & Bussing Diagram 03
Flowchart showing signal flow of each channel, with its two sends and how they all output to a bus.
Logic X Routing
Example of the routing and bussing of channels in Logic X. If you are feeling fruity, you can also colour code the groups as above for easy visual reference. You can do this quickly by pressing ‘Opt + C’ to bring up the colour tool.

Setting up the routing and sends this way allows you to easily add effects such as a reverb room to your drum group by adding a reverb plugin to one of the drum sends. It also gives easy control over group levels allowing for a more versatile mix down.

4. Add appropriate EQ to each Channel

You will most likely use EQ on most channels, so having them there already saves time. Perhaps even with appropriate EQ cuts on channels that would need it – such as a lowcut on the hat channel.

EQ
Example of a preset Lowcut EQ for a hat channel.

5. Set Up Parallel Drum Compression if you use it

Parallel compression is a very popular technique used in mixing to add volume and power to drums without severely crushing the dynamics by mixing the dry signal with a compressed version. It can be set up by adding a send to the “Drum Master Out” Bus (shown in the examples as Bus 3) to a new Bus Channel – you can name this “Parallel Compression”. On this new Bus Channel add a compressor with heavy compression settings, and then the “Drum Master Out” aux send to this channel can be adjusted to dial in Parallel Compression to the desired level.

Please note that many modern compression plugins include a Wet/Dry mix and if you own one, then you can simply add this to the “Drum Master Out” channel and use this mix control to apply parallel compression – there is no need to do this additional routing.

Parallel Compression Diagram
Full routing of the Drum Group, including Parallel Compression send on the Drum Master Out. Where Bus X is any new blank bus created for the Parallel Compression.

6. Customise and make it your own

We all develop unique ways of working and laying out our music within DAW’s. If there is certain FX plugins you always use, add them to appropriate channels. If there are Software Instruments you can’t make a song without, then add channels for them – perhaps even with your most popular presets already loaded on them so you can quickly use them to write out a melody or rhythm.

Logic X Project Templates
Examples of Project Templates for Logic X, stating the genre and then track length of the template.

I hope this proves a good aid in improving your workflow within Logic Pro as I know it did for me. Consider saving many different ideas for structures and layouts, you can always delete those you don’t like or end up not using.

KAN DIVIDER

This Article is bought to you by KAN Samples.
Pro Audio Samples for Producers.

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